Space: 1999 was the final production by the partnership of Gerry and Sylvia Anderson and was, at the time, the most expensive series produced for British television, with a combined £6.8 million budget.
Space: 1999 was the last in a long line of science-fiction series that Gerry and Sylvia Anderson produced as a working partnership, beginning with Supercar in the early 1960s and including the marionette fantasy programmes Fireball XL5, Stingray, Thunderbirds, Captain Scarlet and the Mysterons, Joe 90 and The Secret Service, as well as the live-action drama UFO. Space: 1999 owes much of its visual design to pre-production work for the never-made second series of UFO, which would have been set primarily on the Moon and featured a more extensive Moonbase.
Space: 1999 drew a great deal of visual inspiration and technical expertise from the Stanley Kubrick film 2001: A Space Odyssey (1968). The programme's special effects director Brian Johnson had previously worked on both Thunderbirds (as Brian Johncock) and 2001.
@Lucifer333: 23:20 + you will see the first Alien UFO and the distinct sound that has been used in SO many Gerry and Sylvia Andersen productions... LOL
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This was a brilliant series...
Gerry ?????? - and all the OLD series...
There were quite a few...
Space: 1999 was the final production by the partnership of Gerry and Sylvia Anderson and was, at the time, the most expensive series produced for British television, with a combined £6.8 million budget.
Space: 1999 was the last in a long line of science-fiction series that Gerry and Sylvia Anderson produced as a working partnership, beginning with Supercar in the early 1960s and including the marionette fantasy programmes Fireball XL5, Stingray, Thunderbirds, Captain Scarlet and the Mysterons, Joe 90 and The Secret Service, as well as the live-action drama UFO. Space: 1999 owes much of its visual design to pre-production work for the never-made second series of UFO, which would have been set primarily on the Moon and featured a more extensive Moonbase.
Space: 1999 drew a great deal of visual inspiration and technical expertise from the Stanley Kubrick film 2001: A Space Odyssey (1968). The programme's special effects director Brian Johnson had previously worked on both Thunderbirds (as Brian Johncock) and 2001.